In the moveable do system, there happens to be a correspondence between the solfege symbol and a pitch's role. In the fixed- do system the solfege symbols clearly do not describe the role of pitches relative to the tonic. In contrast, fixed- do solfege symbols are simply labels for absolute pitches ( do=C, re=D, etc., in any key). Functional pitch recognition emphasizes the role of a pitch with respect to the tonic. ![]() Note that functional pitch recognition should not be confused with the fixed- do solfege symbols, do, re, mi, etc. Using such systems, pitches with identical functions (the key note or tonic, for example) are associated with identical labels ( 1 or do, for example). ![]() To this end, scale-degree numbers or movable- do solmization ( do, re, mi, etc.) can be quite helpful. Many musicians use functional pitch recognition in order to identify, understand, and appreciate the roles and meanings of pitches within a key. ![]() No reference to any other pitch is required to establish this fact. Once the tonic has been established, each subsequent pitch may then be recognized in isolation with no need for reference to accompanying pitches.įor example, once the tonic G has been established, listeners may recognize that the pitch D plays the role of the dominant in the key of G. Functional pitch recognition involves identifying the function or role of a single pitch in the context of an established tonic. Functional pitch recognition is an important skill for all musicians listening to and performing tonal music.
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